In the January edition of Bon Vivant magazine, writer Noel Black reviews the Impressionist and Modern Masters (Dec. 8, 2007–March 9, 2008) exhibition, saying it “satisfies like a weekend trip to New York.”
“Using colored walls to denote the three separate eras in the chronology, Blake Milteer and the FAC curatorial staff hone done an excellent job of creating visual moods around the periods they define: regal burgundy for the pre-impressionist era, a brooding green for the impressionists and a sunny yellow for the modernists. The works themselves are, without hyperbole, some of the finest examples of their times.”