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The Woolly Mammoth Theatre Company Production of WHERE WE BELONG

Mainstage

April 13 – 23, 2023

By Madeline Sayet | Directed by Mei Ann Teo

In Association with Folger Shakespeare Library

In 2015, a Mohegan theatre-maker moves to England to pursue a PhD in Shakespeare, grappling with the question of what it means to remain or leave, as the Brexit vote threatens to further disengage the UK from the wider world. Moving between nations that have failed to reckon with their ongoing roles in colonialism, Achokayis finds comfort in the journeys of their Native ancestors who had to cross the ocean in the 1700s to help their people. In this intimate and exhilarating solo piece directed by Mei Ann Teo, Sayet asks us what it means to belong in an increasingly globalized world.

“among the great artistic achievements during the pandemic” – Broadway World

“Sayet cycles through anecdotes with pathos and a playful charm” – Washington Post

“An important story — thought-provoking, respectful, and alive.” – MD Theatre Guide

 

Content Transparency: This production contains flashing lights, depictions of racism, and discussions of borders, war, loss of language, residential schools, colonial theft of human remains and repatriation.

Details

Show Dates

April 13–23, 2023

Wed | 7 p.m.
Thurs & Fri | 7:30 p.m.
Sat | 5 or 7:30 p.m.
Sat & Sun Matinées | 2 p.m.

ASL interpretation is offered on Saturday, April 22 at 2 p.m.

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Know before you go

As a theatre patron you receive FREE museum admission included in the cost of your tickets! Museum hours

See what’s on view

Tickets

Standard Seats & Wednesday evening performancesSelect SeatsPremium SeatsUnder 40*
$20starting at $41 (15% off for members and military*)starting at $48 (15% off for members and military*)$25

Additional Info

Group Tickets

We offer many convenient group sales options with special benefits and savings from 10-25% off single ticket prices! Details

FAC Member Tickets

Are you an FAC Member? Members receive 15% off on Select and Premium seats. Log in after clicking on ticket button, purchase by phone or in person to receive member discounts! Not an FAC member? Join today

Student Rush Tickets

Students can purchase rush tickets the day of the performance at the FAC front desk for $15 (Colorado College students receive a FREE rush ticket 1 hour before the performance). Tickets subject to availability; Must purchase in person; CC students must present a CC Gold Card.

CC Staff & Faculty

CC Staff and faculty can purchase rush tickets the day of the performance at the FAC front desk for $25. Tickets subject to availability; Must purchase in person and present a CC Gold Card.

*Military & Under 40

We ask that you call or come in to receive your discount.

Cast + Creative

CAST

Madeline Sayet, Playwright, Performer (she/her) is a Mohegan theatre maker who believes the stories we pass down inform our collective possible futures. She serves as an Assistant Professor at Arizona State University with the Arizona Center for Medieval and Renaissance Studies (ACMRS), and is the Executive Director of the Yale Indigenous Performing Arts Program (YIPAP). She has been honored as a Forbes 30 Under 30 in Hollywood & Entertainment, TED Fellow, MIT Media Lab Director’s Fellow, National Directing Fellow, Drama League Director-In-Residence, NCAIED Native American 40 Under 40, and a recipient of The White House Champion of Change Award from President Obama. As a writer her plays include: Where We Belong, Up and Down the River, Antigone Or And Still She Must Rise Up, Daughters of Leda, The Neverland, and The Fish (In Development). Recent directing work includes: Tlingit Christmas Carol (Perseverance Theatre), Midsummer Night’s Dream (South Dakota Shakespeare), Henry IV (Connecticut Repertory Theatre), Whale Song (Perseverance Theatre), As You Like It (Delaware Shakespeare), The Winter’s Tale (Amerinda/HERE Arts), Poppea (Krannert Center, Illinois), The Magic Flute (Glimmerglass), Macbeth (NYC Parks), Miss Lead (59e59). www.madelinesayet.com Where We Belong is published by Bloomsbury. It will be available in Paperback in August 2022, but you can currently pre-order the paperback or purchase the e-book at: www.bloomsbury.com/us/where-we-belong

DIRECTOR

Mei Ann Teo, Director (they/she) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. As a director/devisor/dramaturg, they create across genres, including music theatre, intermedial participatory work, reimagining classics, and documentary theatre. Teo’s work has been in international festivals including Belgium’s Festival de Liege, Edinburgh International Fringe, Beijing International Festival, Singapore Theatre Festival. They helmed Dim Sum Warriors the Musical by Colin Goh and Yen Yen Woo, composed by Pulitzer Prize winner Du Yun for national China twenty-five city tour. They have directed and/or developed new work at the Oregon Shakespeare Festival, Theatreworks Hartford, Playwrights Realm, Goodman Theatre, Public Theater, Berkeley Rep (Ground Floor), Crowded Fire, History Theatre, Page 73, Musical Theatre Factory,  and the National Black Theatre. Recent work includes Jillian Walker’s world premiere SKiNFoLK: An American Show at the Bushwick Starr, Madeline Sayet’s Where We Belong at Shakespeare’s Globe, Woolly Mammoth, BCS, and PTC,  the North American premiere of Amy Berryman’s Walden at Theatreworks Hartford, and the English US premiere of Stefano Massini’s 7 Minutes at Waterwell. Teo received the League of Professional Theatre Women’s Josephine Abady Award, is the inaugural recipient of the Lily Fan Director Lilly Award, and is the Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival.

Hao Bai (she/her) . . . . . . . . . . . . . . . Production Designer

Asa Benally (he/him) . . . . . . . . . . . Costume Designer

Megan J Coffel (they/them) . . . . Touring Lighting/Technical Director

Erik Schilke (he/him) . . . . . . . . . . Composer and Sound Designer

Jen Olivares (she/her) . . . . . . . . . . Movement Consultant

Grace Chariya (she/her) . . . . . . . . Stage Manager

Elisabeth Schapmann(she/her) . . . Stage Manager

Vera Starbard (she/her) . . . . . . . . . Dramaturg

Judy Bowman, CSA (she/her) . . . Casting Director

Victoria Lang(she/her) . . . . . . . . . Executive Producer

Ryan Bogner (he/him) . . . . . . . . . . Executive Producer

Woolly Mammoth Theatre Company creates badass theatre that highlights the stunning, challenging, and tremendous complexity of our world. For over 40 years, Woolly has maintained a high standard of artistic rigor while simultaneously daring to take risks, innovate, and push beyond perceived boundaries. Co-led by Artistic Director Maria Manuela Goyanes and Managing Director Emika Abe, Woolly is located in Washington, DC, equidistant from the Capitol Building and the White House. This unique location influences Woolly’s investment in actively working towards an equitable, participatory, and creative democracy.

One of the few remaining theatres in the country to maintain a company of artists, Woolly serves as an essential research and development role within the American theatre. Plays premiered here have gone on to productions at hundreds of theatres all over the world and have had lasting impacts on the field. These include the world premiere productions of Danai Gurira’s Eclipsed in 2009 that later went on to be the first Broadway play with a cast & creative team of all Black women; Bruce Norris’ Pulitzer-Prize Winner Clybourne Park in 2010; and Anne Washburn’s Mr. Burns: a post-electric play in 2012. Woolly produces theatre beyond our building by sending productions like Aaron Posner’s Stupid Fucking Bird across the nation and bringing Aleshea Harris’s What to Send Up When It Goes Down to neighborhoods throughout DC. A national tour of Madeline’s Sayet’s Where We Belong will launch in 2021. In addition, Woolly was the first to pioneer Pay-What-You-Will tickets in the DMV, which are now available at every single performance.

Woolly Mammoth acknowledges that the theatre stands upon occupied, unceded territory: the ancestral homeland of the Nacotchtank whose descendants belong to the Piscataway peoples. Furthermore, the foundation of this city, and most of the original buildings in Washington, DC, were funded by the sale of enslaved people of African descent and built by their hands. Understanding that history and context, Woolly values building relationships with neighbors and resident artists in the DMV area. Our nationally-acclaimed Connectivity Department is one of the ways we accomplish this by linking Woolly to like-minded community organizations in order to generate mutually beneficial, impactful and power-aware partnerships.

“Uniquely plugged in to the mad temper of the times” (New York Times)

“The hottest theater company in town” (Washington Post)

Folger Shakespeare Library is the world’s largest Shakespeare collection, the ultimate resource for exploring Shakespeare and his world. The Folger welcomes millions of visitors online and in person. It provides unparalleled access to a huge array of resources, from original sources to modern interpretations. With the Folger, you can experience the power of performance, the wonder of exhibitions, and the excitement of path-breaking research. The Folger offers the opportunity to see and even work with early modern sources, driving discovery and transforming education for students of all ages.

The award-winning Folger Theatre in our nation’s capital bridges the arts and humanities through transformational performances and programming that speak inclusively to the human experience. Now under the leadership of Artistic Director Karen Ann Daniels, Folger Theatre continues its legacy through exciting interpretations and adaptations of Shakespeare and expands the classical canon through cultivating today’s artists and commissioning new work that is in dialogue with the concerns and issues of our time. Folger Theatre thrives both on its historical stage and in the community, engaging audiences wherever they happen to be.

During a multiyear building renovation, join the Folger online and on the road. Learn more at folger.edu.

The tour of Where We Belong received a developmental production at Baltimore Center Stage (Stephanie Ybarra, Artistic Director) in October 2021.